For anyone who is interested in analysis to learn the craft of composition and arranging, these scores are available for purchase without the need to buy the entire set of music (score and parts).
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This music is designed to commemorate the 125 th anniversary of the University of North Texas and to showcase some of the extraordinary talent within its college of music – both in the classical and jazz programs. The instrumentation includes a full orchestra (mixed with classical and jazz performers) with an additional jazz rhythm section and an improvising saxophonist.
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(commissioned by Wynton Marsalis for the LCJO – live recording) this Ornette Coleman tune, based on “Rhythm changes”, is designed to feature any soloist. The trumpets and saxes perform the rather intricate melody at various times. The closing section features a more seductive and sneaky vibe that offers surprises with sudden dynamic contrasts and some interspersed drum fills. Lead trumpet range – high C#.
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Recorded on the One O’Clock Lab Band’s 2011 CD. This original programmatic work is a driving contemporary ballad that starts simply and develops slowly into a grandiose ending. It features bass, piano, flugelhorn and tenor sax (tenor sax also doubles on soprano) and drum solos as well as a written classical-style descant trumpet solo. Lead trumpet 1 range – high D. Solo trumpet 3 range – high D. Scored for 10 brass.
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An irreverent but fun poke at the classic Glenn Miller tune, In the Mood. The basic composition by Harold Danko is developed through the big band arrangement that makes further references to Miller’s classic band arrangement as well as String of Pearls. This one will put a smile on everyone’s face (with the possible exception of Glenn Miller) and is great as an encore or contrast piece. Lead trumpet range – high D. (Recorded by the Manhattan School of Music Jazz Ensemble.)
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This arrangement of Wayne Shorter’s beautiful melody features a piano intro, transition, and ending that offers a lullaby setting but with a rather dark and beautifully mysterious hue. Also features improvised solos for the piano and soprano sax. The ensemble writing is lush with melodic counterpoint and grand swells. Lead trumpet range – high C. (Live recording by the WDR Big Band).
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This Louis Armstrong classic features the band “scat singing” Louis’ recorded solo. A joyous romp through the New Orleans’ style always puts a smile on people’s faces. Works great as an opener, for an encore, or a contrast piece. Lead trumpet range – high C. Live recording by the William Paterson University Jazz Ensemble.
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Recorded by the One O’Clock Lab Band on Lab 2012. The fugue subject is based on a 12-tone row and the groove is a medium Elvin-ish swing with an open harmonic palette. It features an electrified trumpet (reminiscent of Miles in the 70s). Scored for 10 brass with flute, clarinet, and bass clarinet doubles. Lead trpt – high D.
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A suite in three large sections. Consists of tunes and melodic references from the Ellington library. Main tunes are ‘A’ Train, Come Sunday, and Caravan with other themes inlaid contrapuntally that include In a Sentimental Mood, Prelude to a Kiss, Don’t Get Around Much Anymore, Things Ain’t What They Used to Be, It Don’t Mean a Thing…, In a Mellow Tone, Mood Indigo, Cottontail, and Rockin’ in Rhythm.
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An original ECM-style piece that features solos for soprano sax and piano. Lushly orchestrated with flugelhorns, French horn (cued in T.Sx), and flute/clarinet doubles along with ambient, contemporary guitar textures. Lead trumpet range – high C#. (Recorded by the Manhattan School of Music Jazz Ensemble.)
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Commissioned by Wynton Marsalis for the <em>Wynton with Strings</em> concert, these arrangements feature a jazz quintet (tpt, t.sx, pno, bs, dms) with chamber orchestra and offer modern perspectives on three classic tunes. Soloist with Strings, Harp, and Rhythm Section *solo instrument may be interchanged
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(commissioned by Wynton Marsalis for the LCJO – live recording) This Coltrane tune is unique as it shows the lighter and more humorous aspects of his work. This arrangement preserves the quirky, bluesy nature and is done in the style of Thad Jones’ “Tip Toe”. Features alto sax, trumpet and piano primarily but can also feature multiple soloists. Lead trumpet range – high E.